MUKHATHTHATH AKTAN WA AL-HAIKAL AL-WAZHIFI FI FILM UMAR AL-HALQAH ATS-TSANIYAH: DIRASAH SIMYA-IYYAH SARDIYYAH LI GREIMAS

Zidan Ahmad Dairobi, Rohanda Rohanda, Dyo Rusna, Dendi Yudha Safrullah, Ulfatun Wahidatun Nisa

Abstract


This study aims to analyze the actants and functional structure of A. J. Greimas's theory in the film Omar, second episode, directed by Hatem Ali. A descriptive qualitative method was used. Data were collected through observation and note-taking techniques and analyzed using content analysis to identify the actant scheme and functional structure in the film. Data were then displayed to sort relevant and concrete data for analysis, after which conclusions were drawn and re-examined against the data. The results show that the second episode of Omar is built on largely interrelated actants, consisting of the sender, object, subject, helper, receiver, and opponent. Umar ibn al-Khattab appears as the subject who has not yet desired to attain the object. Based on the functional-structure analysis, the film presents an interesting yet temporary ending intended to build conflict for the following episode. Since the end of the episode does not mark the end of the story, this study helps enable future researchers to continue exploring the narrative in the series Omar.

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References


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DOI: https://doi.org/10.18860/afshaha.v5i2.45109

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