NEUROTIC TRENDS OF TONYA HARDING IN I, TONYA MOVIE

Olivia Olivia, Putri Rindu Kinasih

Abstract


Psychological issue namely neurotics has always been an important matter in human life since long ago. There have been several literary works that represent this psychological issue. From many of those works which portray psychological problems, I, Tonya is one of the representative works. In this research, the writer did a film study by using the psychoanalysis approach. The source of the data is the script and scenes of the I, Tonya movie. From the research, it can be concluded that a neurotic personality is shaped due to several aspects. Tonya Harding's childhood and culture had an impact on how she behaved as an adult. Because of her experiences as a child and the competitive culture of American citizens, she develops an aggressive personality. We can infer that Tonya's neurotic trend is gravitating away from people who behave aggressively. Instead of being a survivor, Tonya ended up as an aggressive and hostile person. In conclusion, Tonya was only able to use one neurotic trend, acting violently and manipulatively, as a coping method because of her childhood and culture.


Keywords


neurotic trends; psychoanalysis;

Full Text:

PDF

References


Broom, J. (2010). Towards, Away, Against: Coping role strategies as attachment styles. ANZPA Journal, 19, 10–20.

Feist, J., Feist, G. J., & Roberts, T.-A. (2018). Theories of personality (Ninth). McGraw-Hill Education.

Felsenthal, J. (2017, December 6). In I, Tonya, Margot Robbie Reclaims Tonya Harding for the 21st Century. VOGUE. https://www.vogue.com/article/i-tonya-movie-review-margot-robbie-reclaims-tonya-harding

Foote, S. (2003). Making sport of Tonya: Class performance and social punishment . Journal of Sport & Social Issues, 27(1), 3–17.

Halligan, F. (2017, September 10). “I, Tonya”: Toronto Review. Screen Daily. https://www.screendaily.com/reviews/i-tonya-toronto-review/5122194.article

Hanifah, U., & Rokhman, Muh. A. (2020). Joan’s neurotic trends and idealized image in Margaret Atwood’s Lady Oracle. LEXICON, 7(1), 131–145.

Korzeniewska-Nowakowska, P. (2021). American poverty and social rejection in Craig Gillespie’s I, Tonya. European Journal of Life Writing (EJLW), 10, 64–76.

O’Sullivan, M. (2017, December 19). ‘I, Tonya’ presents a sympathetic — and scathingly funny — portrait of Tonya Harding. The Washington Post. https://www.washingtonpost.com/goingoutguide/movies/i-tonya-presents-a-sympathetic--and-scathingly-funny--portrait-of-tonya-harding/2017/12/18/606bfd28-e1c0-11e7-89e8-edec16379010_story.html

Pitluk, A., Hazlett, C., & Weinhold, W. (2023). Off thin ice: After decades of media abuse, it took Hollywood to repair Tonya Harding’s image and reputation. Athens Journal of Mass Media and Communications, 9(1), 9–22.

Purnata, I. K., Budiarsa, M., & Rahayuni, N. K. S. (2021). Women linguistic features in the Craig Gillespie’s movie “I, Tonya.” Udayana Journal of Social Sciences and Humanities, 5(2), 94–100.

Schultz, D. P., & Schultz, S. E. (2017). Theories of personality (11th ed.). Cengage Learning.

Sobur, A. (2017). Semiotika Komunikasi. PT. Remaja Rosdakarya.

Stewart, S. (2017, November 30). Margot Robbie didn’t believe Tonya Harding’s story was real. New York Post. https://nypost.com/2017/11/30/margot-robbie-didnt-believe-tonya-hardings-story-was-real/

Wijaksono, D. H., & Nugroho, C. (2018). Representation of feminism in film I, Tonya. EProceedings of Management, 5(3), 4202–4209.




DOI: https://doi.org/10.18860/prdg.v6i1.19627

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Member of:

Crossref

Indexed by:

SintaGoogle Scolar Sinta  MorarefSintaSintaSinta


Editorial Office

Department of English Literature

Faculty of Humanities, Universitas Islam Negeri Maulana Malik Ibrahim Malang
Jalan Gajayana 50 Malang, Jawa Timur, Indonesia 65144
Phone (+62) 341 551354, Facsimile (+62) 341 572533
e-mail: paradigm@uin-malang.ac.id


Creative Commons License
PARADIGM: Journal of Language and Literary Studies by Department of English Literature is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Based on a work at http://ejournal.uin-malang.ac.id/index.php/paradigm.

View My Stats | Follow Us on Instagram