TECHNOLOGY-ENABLED HEROINE: AN ANALYSIS ON WOMAN CYBORG IN ALITA: BATTLE ANGEL FILM

Wahdah Kamelia Salsabila, Pujo Sakti Nur Cahyo

Abstract


This study closely examines the character of Alita in the film Alita: Battle Angel to determine whether she represents women’s empowerment. Heroines are often portrayed as powerful and independent figures who challenge traditional gender roles. To analyze Alita's character, this study utilizes Greimas' actantial model of narrative structure and Donna Haraway’s concept of the cyborg from A Cyborg Manifesto. Greimas' model helps dissect the narrative roles and relationships, while Haraway's concept aids in understanding the intersection of technology and gender. The analysis reveals that Alita embodies certain elements of women’s empowerment. She displays physical strength, resilience, and a sense of autonomy that are typically associated with empowered female characters. Alita's journey of self-discovery and her fight against oppressive forces resonate with themes of independence and empowerment. However, a deeper examination of the film's narrative structure and character dynamics uncovers underlying patriarchal elements. Despite Alita's strengths, the film presents a technological hierarchy where male characters, particularly Dr. Dyson Ido and Vector, hold significant control and influence over Alita and other female characters. This dynamic suggests that while Alita is portrayed as a powerful figure, her agency is still constrained within a male-dominated technological framework. Furthermore, the film's depiction of Alita as a cyborg complicates the narrative of empowerment. Haraway's cyborg theory suggests that cyborgs can transcend traditional gender boundaries and challenge patriarchal structures. Yet, in Alita: Battle Angel, the cyborg nature of Alita is used to emphasize her otherness and dependence on male characters for her identity and purpose. This reinforces traditional gender hierarchies rather than subverting them.

Keywords


cyborg; representation; women empowerment; actantial model; posthumanism;

Full Text:

PDF

References


Barker, C. (2004). The SAGE Dictionary of Cultural Studies. SAGE Publications Ltd.

Bell, D. (2007). Cyberculture Theorists: Manuel Castells and Donna Haraway. Routledge.

Brown, J. A. (2011). Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular Culture (1st ed.). University Press of Mississippi.

Cahyo, P. S. N., & Suryaningtyas, R. E. (2020). Woman and Technology: A Study on Gender Portrayal of a Female Cyborg in Ghost in The Shell (2017) Movie. Lire Journal (Journal of Linguistics and Literature), 4(1), 26–39. https://doi.org/10.33019/lire.v4i1.65

Citron, M., Lesage, J., Mayne, J., Rich, B. R., & Taylor, A. M. (1999). ‘Women and Film: A Discussion of Feminist Aesthetics.’ In Feminist Film Theory (pp. 115–121). Edinburgh University Press. https://doi.org/10.1515/9781474473224-015

Evans, C. L. (2016). Women of the Future: Gender, Technology, and Cyborgs in Frank Herbert’s Dune. Université Laval.

Gavin, H., & Porter, T. (2014). Female Aggression. In Female Aggression. John Wiley & Sons, Ltd. https://doi.org/https://doi.org/10.1002/9781118314715.ch1

Greimas, A. J. (1983). Structural Semantics: An Attempt at a Method. University of Nebraska Press.

Haraway, D. J. (1991). A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century . In Simians, Cyborgs, and Women: The Reinvention of Nature (pp. 149–181). Routledge.

Hébert, L. (2007). Algirdas Julien Greimas : The Actantial Model / Signo - Applied Semiotics Theories. http://www.signosemio.com/greimas/actantial-model.asp

Hume, J. (1997). Defining the Historic American Heroine: Changing Characteristics of Heroic Women in Nineteenth‐Century Media. The Journal of Popular Culture, 31(1), 1–21. https://doi.org/10.1111/j.0022-3840.1997.3101_1.x

Monro, F., & Huon, G. (2005). Media-portrayed idealized images, body shame, and appearance anxiety. International Journal of Eating Disorders, 38(1), 85–90. https://doi.org/10.1002/eat.20153

Peng, Q. (2019). The Humanity and Feminism of Robots in Sci-fi Movies. The European Conference on Arts & Humanities 2019.

Ruben, J. L. (2012). Illusionary Strength; An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives. Wright State University / OhioLINK. http://hdl.handle.net/20.500.12424/413767

Schueller, M. J. (2005). Analogy and (White) Feminist Theory: Thinking Race and the Color of the Cyborg Body. Signs: Journal of Women in Culture and Society, 31, 63–92. https://doi.org/10.1086/431372

Toffoletti, K. (2007). Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body. I.B. Tauris.




DOI: https://doi.org/10.18860/prdg.v7i2.29294

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Member of:

Crossref

Indexed by:

SintaGoogle Scolar Sinta  MorarefSintaSintaSinta


Editorial Office

Department of English Literature

Faculty of Humanities, Universitas Islam Negeri Maulana Malik Ibrahim Malang
Jalan Gajayana 50 Malang, Jawa Timur, Indonesia 65144
Phone (+62) 341 551354, Facsimile (+62) 341 572533
e-mail: paradigm@uin-malang.ac.id


Creative Commons License
PARADIGM: Journal of Language and Literary Studies by Department of English Literature is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Based on a work at http://ejournal.uin-malang.ac.id/index.php/paradigm.

View My Stats | Follow Us on Instagram