Arabic Techno-Paper Poetry: Creative Justifications And Literary Features/ الشعر التكنو ورقي: المُسوّغات الإبداعيَّة والسّمات الأدبيَّة

Harith Yaseen, Hiba Mohammed Salih

Abstract


This study seeks to uncover the most important creative justifications and literary characteristics of "techno-paper" poetry, as a new and emerging creative activity on the surface of Arabic literature, emerging as a reaction to the extremist calls for adopters of both the digital and paper mediums. It also examines the most important literary characteristics and features that distinguish this new literary genre from other literary genres. The study relied on the data of the descriptive approach, which includes monitoring the phenomenon and attempting to analyze it in order to reach the desired goal of this study. The study found that techno-paper poetry is a literary genre that combines two worlds that have always been described as contradictory, and that it thus provides a rich and fertile environment for the reader, as it combines many tools of expression that have come from these two worlds (paper and digital), such as words, sound, images, movement, etc., which makes it a unique poetic discourse that combines both discourses and transcends them at the same time. The study concluded that techno-paper poetry does not abolish paper or digital poetry, but rather attempts to bridge the gap and overcome the fanaticism of each. It serves as a vivid and brilliant example of the clash between literature and technology, satisfy two competing requirements by attempting to curb the fanaticism of both groups emphasizing that belief in the implications or outcomes of technology does not necessarily lead to the demise of print literature and a decline in its value. 


Keywords


Techno-Paper; Digital; Technology; Interactive; Poetry

References


Al-Ali, M. (2010). The Level of Poetry. edit. Abbas Abdel-Sattar. Beirut: Dar Al-Kutub Al-Ilmiya.

Abdel-Al, S. (2022), Using QR Code Technology in Providing Library Services at the Faculty of Arts Library, Benha University (An Applied Study), Scientific Journal of Libraries, Documents, and Information, 4(12).

Al-Anbaki, A. (2015), Introduction to Textual Undermining: A Study in the Linguistics of Poetic Discourse, Iraq: Dar Nibuhr.

Al-Buraiki, F. (2018), Writing and Technology, Morocco: Arab Cultural Center.

Al-Dada, A. (2015), Mahwa altofah (An Approach to Mushtaq Abbas Ma'an's Project in the Flash Column), Baghdad: Dar Al-Farahidi.

Al-Dayoub, S. (2023), Transformations of the Wamdah Poem: A Reading of the Leadership of the Poet Mushtaq Abbas Ma'an, Damascus: Dar Tammuz.

Al-Fifi, A. (2011), Activation Poetry and Other Issues, Baghdad: Dar Al-Farahidi.

Ali, N. (1994), Arabs and the Information Age, Kuwait: Alam Al-Ma'rifa.

Al-Khatib, H. (2011), Literature, Technology, and the Subtextual Bridge, Doha: Ministry of Culture, Arts, and Heritage.

Al-Tamimi, P. (2023), Techno-Paper Poetry: An Approach to its Concept, Identity, and Poetics, The Collection (An Old Man's Pain) as a Model, Damascus: Dar Tammuz.

Chetty, K. (2017), BRIDGING THE DIGITAL DIVIDE: SKILLS FOR THE NEW AGE. POLICY AREA: The Digital Economy, Supported by: Emerging Market Sustainability Dialogues (EMSD), Economic Policy Forum (EPF), March 24.

Fasiullah, M. (2018), Technology and Literature: A study of Impact of Technology on Literary output, volume3, ISSUE 6, Anveshana’s International Journal Of Research In Education, Literature, Psychology And Library Sciences.

Fisher, E. (2001), The Necessity of Art, trans. Asaad Halim, Cairo: Egyptian General Book Organization.

Gharkan, R. (2023), The Fourth Transformation in Arabic Poetics (Mushtaq Abbas Ma'an's Experience from Interactivity to the Flash Column).

Heidegger, M. (2003). The Originality of Art. (Trans. Abu Al-Eid Doudou). Germany: Al-Jamal Publications.

Karam, Z. (2009), Digital Literature (Cultural Questions and Conceptual Reflections), Cairo: Ru'ya Publishing and Distribution.

Maan, M (2022), What We Want and What We Don't Want, Baghdad: General Union of Writers and Authors in Iraq.

Maan, M (2024), The Interaction of Paper and Technology in the Production of Arabic Poetry: The Hypothesis of (Technopaper Poetry) as an Example, Umm Al-Qura University Journal of Language Sciences and Literature, Special Issue (Arabic Poetry Research).

Maan, M. (2012), The Interactive Sentence (Approaches to Conceptual Transformations), Al-Ameed Journal, 2(3, 4).

Malham, I. (2013), Literature and Technology (An Introduction to Interactive Criticism), Jordan: Modern Book World.

Muftah, M (1990), Majhool albayan, Morocco: Dar Toubkal.

Nietzsche, F. (1996), Afool alasnam, trans. Hassan Bourquia and Muhammad al-Naji, Morocco: East Africa.

Shaker, H. (2022), Literature from the Paper Stage to the Interactive Digital Stage, Afaq Scientific Journal, 14(2).

Omar, A. (2008). Dictionary of Contemporary Arabic Language. Cairo: Alam Al-Kutub.

Sharma, R. (2014). Technocriticism and the Changing Contours of Literary Text/Narrative: A Theoretical Overview, Lapis Lazuli -An International Literary Journal (LLILJ), Vol.4 / NO.1 .

Shukur, H. Y., Ameen, N. T. M., & Awad, H. M. M. (2024). Literature Challenges in Digital Platforms, the Wattpad Platform as a Model . Dirasat: Human and Social Sciences, 51(1).

Soubrié, T. (2001), Apprendre à lire grâce à l’hypertexte. Hypertextes, hypermédias, nouvelles écritures, nouveaux langages (H2PTM), Valenciennes, France. ffhal-02510181.

Tolstoy, L. (1998). The death of Ivan Ilyich and other stories (R. Pevear & L. Volokhonsky, Trans.). Farrar, Straus and Giroux. (Original work published 1886).

Thabet, S. (2012). The Concept of Literature in Classical Moroccan Criticism. Master's Thesis, University of Al-Aqida Al-Hajj Lakhdar: Faculty of Arts and Languages.

Vandendorpe, C. (1999), Du papyrus à l’hypertexte, Essai sur les mutations du texte et de la lecture, la Fédération canadienne des sciences humaines et sociales, paris.

Wali, Y. (2018), Manifestations of the Flash Column in Contemporary Iraqi Poetry (A Homeland with the Taste of Wounds as a Model), Al-Adab Magazine, (127).

Younis, S. (2022), Formations of Written Displacement and the Multiplicity of Visual Signs in the Collection (An Old Man's Pain), Tasleem Magazine, 11(21).




DOI: https://doi.org/10.18860/ijazarabi.v9i3.40375

Refbacks

  • There are currently no refbacks.


Copyright (c) 2026 Harith Yaseen, Hiba Mohammed Salih

License URL: https://creativecommons.org/licenses/by-sa/4.0/